'AJ is one of those guys who never really seems aware of his own beauty. Funny, because he's worked as a go-go boy and I'm sure he didn't want for compliments. But there's something indisputable about seeing images in the camera... When my client sees himself sexier than he ever imagined - this wave of confidence is found - and the images are better as a result.'Marlen Boro
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If your a regular reader of the blog, you might have noticed that when I present a shoot or a model, my preference is to lay out the images to create a bit of a reveal. A reveal of body of course, but also the reveal of story, and what is beyond the surface of what you are looking at. Although I suspect it makes little difference, I choose to do this for a couple of reasons. One of my goals for FH is to relay story. It often seems if you start with a frontal, that is where story, for many, often ends. The men within the images and the artists behind them often seem to become irrelevant once you present the money shot.
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My goal is to build viewers anticipation and create interest in the model and the photographer with a post that has a clear beginning, middle and end. Without these, there is no story, there is just the cover of the book. I question at times (especially with Marlen who shoots so many incredible money shots) how successful I am but that is my goal. I am sure it odd for many photographers when I e-mail requesting more portrait and clothed shots when I don't feel the piece has a balance of looks and images.
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I e-mailed Marlen this week about AJ as pretty much all of the images I had for the second part of the piece were full frontal. Marlen was off to New York for work, and time was an issue, so I pulled a few images from the first post and dropped a couple of the frontal images. I often wonder how many people pop into FH each day for the story, and how many for the money shots to click and save for their tumblrs... I guess as long as there are a few looking for both there remains some worth within the reveal.
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MARLEN BORO
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