On this blog you I am going to share my world with you. What can you expect to find here -- First of all lots of sexy men, off all shapes and types, something for everyone, as I can find beauty in most men. You are going to find that I have a special fondness for Vintage Beefcake and Porn of the 60's, 70's, and 80's. Also, I love the average guy, and if you want to see yourself on here, just let me know. Be as daring as you like, as long as you are of age, let me help you share it with the world! Also, you are going to find many of my points of views, on pop culture, politics and our changing world. Look to see posts about pop culture, politics, entertainment, sex, etc. There is not any subject that I find as something I won't discuss or offer my point of view. Most of all, I hope you are going to enjoy what I post. ENJOY!

Saturday, February 4, 2017

Another Year, Another Fabulous Actress & Gay Icon Snubbed By The Oscars

From: Queerty
Sigourney Weaver
The Ice Storm 

Sigourney Weaver was already beloved by gay men, thanks to her deliciously diabolical turn as executive sociopath Katherine Parker in Working Girl (1989), and her general bad-assness as an interplanetary commando in Aliens (1987), both of which earned her Oscar nominations, in addition to her Oscar nomination for Gorillas In The Mist (1989). But her role in Ang Lee’s The Ice Storm, a gorgeous 1970’s period film about upper middle-class angst, was ignored by the Academy. In The Ice Storm, Weaver plays Janey Carver, a horny housewife who seems determined to bring the American Sexual Revolution to her boring suburban neighborhood, although doing so with somewhat selfish motives.  The movie boasted stellar performances from the entire cast (Joan Allen makes everything better), but  the stand-out was Weaver’s portrayal of restrained, steely and occasionally brash Janey, whose actions spoke much louder than her words, every sideways glance rife with meaning. Still waters run deep, as the say. Not every performance has to be big, and this one proved less is often more.

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