WHAT IS THIS BLOG ALL ABOUT?

On this blog you I am going to share my world with you. What can you expect to find here -- First of all lots of sexy men, off all shapes and types, something for everyone, as I can find beauty in most men. You are going to find that I have a special fondness for Vintage Beefcake and Porn of the 60's, 70's, and 80's. Also, I love the average guy, and if you want to see yourself on here, just let me know. Be as daring as you like, as long as you are of age, let me help you share it with the world! Also, you are going to find many of my points of views, on pop culture, politics and our changing world. Look to see posts about pop culture, politics, entertainment, sex, etc. There is not any subject that I find as something I won't discuss or offer my point of view. Most of all, I hope you are going to enjoy what I post. ENJOY!

Saturday, April 23, 2016

The Pioneers of the Leather and Biker Scene

From: The Advocate
The Satyrs Motorcycle Club

In 1953 The Wild One was released. It starred Marlon Brando, looking for all the world like a Tom of Finland drawing come to life, as the leader of a rough-and-tumble motorcycle gang. In 1955 James Dean became the icon of troubled youth in Rebel Without a Cause. And at the same time Tom of Finland was working on his iconic drawings of leather men that he would submit to Physique Pictorial in 1956.


Marlon Brando (center) in The Wild One

The mood in America was taking a rebellious turn. The leather and motorcycle zeitgeist was in full bloom. Gay men had become a part of the post-World War II biker culture in the '40s. Leather bars were springing up in major cities and simultaneously, it seems, pioneering gay motorcycle clubs were formed: the Satyrs, established in Los Angeles in 1954; Oedipus, also established in Los Angeles, in 1958; the New York Motorbike Club and early San Francisco clubs, including the Warlocks and the California Motor Club, started as well. Leather clubs for gay men opened in Amsterdam and Berlin in the 1950s.

This was a counterculture within a counterculture. The men who were drawn to the scene weren't so much into camp, show tunes, and cashmere sweaters. The soul of the scene was a masculine independence.

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