On this blog you I am going to share my world with you. What can you expect to find here -- First of all lots of sexy men, off all shapes and types, something for everyone, as I can find beauty in most men. You are going to find that I have a special fondness for Vintage Beefcake and Porn of the 60's, 70's, and 80's. Also, I love the average guy, and if you want to see yourself on here, just let me know. Be as daring as you like, as long as you are of age, let me help you share it with the world! Also, you are going to find many of my points of views, on pop culture, politics and our changing world. Look to see posts about pop culture, politics, entertainment, sex, etc. There is not any subject that I find as something I won't discuss or offer my point of view. Most of all, I hope you are going to enjoy what I post. ENJOY!

Saturday, July 5, 2014

Classic Television - Prime Time

Evening at Pops
Original channel
Original run
July 5, 1970 – 2005
Evening at Pops was an American concert television series produced by WGBH-TV. It was one of the longest-running programs on PBS. The program was a public television version of a variety show, performed by the Boston Pops Orchestra. It was taped at Symphony Hall in Boston, Massachusetts.

Most shows featured a guest star, usually a well known singer or musician, most commonly within popular music or sometimes rock, folk, jazz or other musical genres. After one or two opening numbers by the Pops, the guest would be brought onstage. Usually the guest would sing several their own hits or songs associated with them, with accompaniment by the Pops. After concluding their set, the guest artist would leave the stage, and the Pops would play one or two closing numbers. The three men who served as Boston Pops Conductor during the show's run -- Arthur Fiedler (1970–79), John Williams (1979–95) and Keith Lockhart (1996–2005) -- appeared. Gene Galusha provided narration and announced most of the pieces played.
The long-running show ended after its 2004-2005 season because the Pops' parent organization, the Boston Symphony Orchestra, did not want to continue funding the nearly $1 million production cost of each episode.

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