'I take pictures because I simply can't help myself from documenting everything I see. I am visually obsessed and dream in photos. I wouldn't have it any other way.'
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I was first introduced to Brett Gleason, the man and his music, when profiling his work with photographer Nicholas Smith back in 2010. Since then, I have followed his career, his songs, his work. The last few weeks have been non stop for Brett beginning with a live New Years Even concert on Youtube (which I never could get connected to) and a live Stream-A-Thon which just ended last weekend. The purpose of the stream was to promote and fund raise for the completion of Brett's full time album.
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Although his primary focus is music, his new music video and single, Imposter is coming next month, it was his work in front of the camera that I got to know first, and continues to hold my attention. Brett brings a depth and intensity to his work as a model and weaves in the same level of soul he instills his music and writing with. Brett has a sexy everyman quality, relatable yet complex. A great head of hair and one of the best chests only add to the package. Brett has been featured on FH in images shot by a number of photographers. Nicholas Smith, whose work with Brett you can see HERE: and Thomas Evans who showed us much, much more of Brett in features HERE, HERE: & HERE:
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I have also featured Brett's work with photographer Walt Cessna whose work I used to help promote Brett's first solo effort, The Dissonance. Walt has been documenting faces, bodies and souls since he was a teenager and says that for a brief moment in the 90's he was 'THE up & coming young buck', shooting for The Village Voice, Interview, Seventeen and many others. Walt left photography for a short time, but in 2000 was introduced to the digital world. Although his first digital camera was a clunky early primitive version, Walt says that he is now happily again "ensconced in the world of image obsession and visual distraction."
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