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| Found: Mr. Goodbar |
#15
Richard Gere
1949—
Helped along by some spur-of-the-moment photos snapped by his good buddy Herb Ritts, Gere became the archetypal movie stud of the late '70s and '80s. He was so fine and his body so routinely on display on the (not) big (enough) screen that jokes abounded about an ass-baring scene being a contractual obligation in every movie he made. If only! He's got a great one. Also, small eyes and a big dick is a winning combination. Gere's lethal good looks made Looking for Mr. Goodbar a point of obsession for many young people seeing it and American Gigolo sold them on the superstar status of his apparatus, but over time, his acting abilities overshadowed his appealingly graying good looks. Who would have dreamed he'd be in the running for an Oscar nomination in 2012 while watching him strictly for his bod in An Officer and a Gentleman?
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Pits by Ritts
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Sexy Sampler
Looking for Mr. Goodbar (1977), Days of Heaven (1978), Bloodbrothers (1978), Yanks (1979), American Gigolo (1980), An Officer and a Gentleman (1982), Breathless (1983), King David (1985), Power (1986), Internal Affairs (1990), Pretty Woman (1990), Rhapsody in August (1991), Runaway Bride (1999), Unfaithful (2002), Chicago (2002), Shall We Dance (2004)
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