WHAT IS THIS BLOG ALL ABOUT?

On this blog you I am going to share my world with you. What can you expect to find here -- First of all lots of sexy men, off all shapes and types, something for everyone, as I can find beauty in most men. You are going to find that I have a special fondness for Vintage Beefcake and Porn of the 60's, 70's, and 80's. Also, I love the average guy, and if you want to see yourself on here, just let me know. Be as daring as you like, as long as you are of age, let me help you share it with the world! Also, you are going to find many of my points of views, on pop culture, politics and our changing world. Look to see posts about pop culture, politics, entertainment, sex, etc. There is not any subject that I find as something I won't discuss or offer my point of view. Most of all, I hope you are going to enjoy what I post. ENJOY!

Thursday, July 25, 2013

Beating Off Together: 150 Gayest Songs EVER

From:  Boy Culture
The Communards
"Don’t Leave Me This Way
(1986)

"Don't Leave Me This Way" is an R&B/soul/disco song written by Kenneth Gamble, Leon Huff, and Cary Gilbert. First charting as a hit for Harold Melvin & the Blue Notes, an act on Gamble & Huff's Philadelphia International label in 1975, "Don't Leave Me This Way" was later a hit single for both Thelma Houston and The Communards. Throughout the 1980s and 1990s, Houston's version of the song became an unofficial theme song for the AIDS epidemic in gay male communities of the west. American artist Neyland Blake created a work for American Foundation of AIDS research about the epidemic that referenced the song and its significance in the community. An art exhibition at the National Gallery of Australia entitled "Don't Leave Me This Way - Art in the age of AIDS" opened in 1994 containing various works about the epidemic. A 246 page publication of the exhibition also followed. The song was covered by The Communards in an avowedly Hi-NRG version. This recording topped the UK charts for four weeks in September 1986, becoming the biggest selling record of the year in the process. The featured guest vocalist was jazz singer Sarah Jane Morris. The song only reached #40 on the US Billboard Hot 100 but did top the Billboard Dance chart.
Several remixes were issued, notably the "Son of Gotham City Mix" which was split across two sides of a 12" single and ran for a total of 22 minutes 55 seconds.



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