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On this blog you I am going to share my world with you. What can you expect to find here -- First of all lots of sexy men, off all shapes and types, something for everyone, as I can find beauty in most men. You are going to find that I have a special fondness for Vintage Beefcake and Porn of the 60's, 70's, and 80's. Also, I love the average guy, and if you want to see yourself on here, just let me know. Be as daring as you like, as long as you are of age, let me help you share it with the world! Also, you are going to find many of my points of views, on pop culture, politics and our changing world. Look to see posts about pop culture, politics, entertainment, sex, etc. There is not any subject that I find as something I won't discuss or offer my point of view. Most of all, I hope you are going to enjoy what I post. ENJOY!

Tuesday, March 8, 2016

Aidan Quinn in Reckless (1984)

From: Favorite Hunks & Other Things
 I am sure I'm not the only one who made good use of the pause, rewind and play buttons on my VCR watching birthday boy Aidan Quinn in 1984's Reckless. When I got a bit older, I re-watched the film, and although I still 'paused' several times, gained an appreciation of Aidan the actor beyond just the body, and his incredible blue eyes. 


 Reckless marked Quinn's first nude scene, and his most exposure, nudity wise, on the big screen. Quinn went on to appear nude with butt scenes in Desperately Seeking Susan and butt scenes in Blink and The Assignment











 Like so many films from the 80's and 90's, some of the nudity (usually male nudity) disappeared from the movie's theatrical, and VHS release, when it made the transfer to DVD. Some might be due to format, but I wonder how much was dropped due to actors, and contracts.





 Reckless was Quinn's first feature film, so he made not have had much choice if he wanted the role in the negotiation process when it came to showing all the goods. Although the shower scene shown here (pic above from the VHS release) was obviously cropped for the DVD release, a second frontal scene, was thankfully left intact. 









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