Asbjörn Jungnik says that his days working as a nurse in a Munich hospital, with daily exposure to the visceral details and decay of the human body influences his photographic work, which he bathes in naturally-lit, unadorned eroticism. Jungnik seems to swing between the bloom of Spring and the beautiful collapses of Autumn. There’s a tang of melancholy to each image, with the occasional anti-fascist political statement thrown into the mix.
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